"I didn't have very many friends growing up. I was very much a nerd. I read co..."
"I didn't have very many friends growing up. I was very much a nerd. I read comic books, and I wanted to do well in school."
"When you're adapting, you are working on someone else's problem that they have already solved. The work has been fine-tuned and read countless times, and you're just arriving at the end and taking what you want, so of course it is the regal way to moviemaking. Plays are just the ideal scripts - the structure is there and waiting for you."
"The scene of independent cinema is already a large scene in America, and not in a negative way, but it's cluttered. It's very populated with just American films, so the room left for foreign movies is not extremely vast. The American public also does not really read. They don't read subtitles. But we're like that in Canada, too."
"It's important to see how people see your work and how they feel about it. I know a lot of directors who are like, 'I never read reviews,' and I'm like, 'Yeah I can tell.'"
"I like to read the papers. I make my living from football, and I like to know what's going on."
"Passion isn't something you work on. It's more important to construct a good team, to know how you are going to play, how to read the match. You have to truly understand the game."
"At Liverpool, I used to read the match day programme, and you'd read an interview with a lad from the youth team. They'd ask age, heroes, strong points, etc. He'd reply, 'Shooting and tackling.' I can't get into my head that football development would educate tackling as a quality, something to learn, to teach, a characteristic of your play."
"I like poems where you don't really know whether to laugh or cry when you read them."
"I would read all day if I could."
"When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older."
"I think it is important for children to read different things to find out about their emotions and other people's emotions. It is an enormous source of education and culture."
"If you want to read and you want to draw, that helps you to express yourself."
"Learning to read and write changes lives; it means jobs, money, health, and dreams fulfilled."
"When it came time to be a professional rapper, I wouldn't sign anything without reading it. There was no way I was going to have people make decisions for me or wake up one day and find that I was broke because I never bothered to read a contract."
"A lot of people are crazy, cruel and negative. They got a little too much time on their hands to discuss everybody else. I have a limited amount of energy to blow in a day. I'd rather read something that I like or watch a program I enjoy or ride my damn motorcycle or throw back a couple of shots of tequila with my friends."
"I read the Koran and it appealed to me. At the time I was agnostic and it really breathed spiritually back into me. For me it's really a cushion; it's cool, I'm cool with it."
"I honestly think I was an Indian living in the time of the Trail of Tears. Something like that. Every time I read books about back then, I get so devastatingly sad, so, so... I feel such a deep connection to it."
"I can't stay mad very long. I get grumpy when I read a bad review. I say, 'How could he say that about my music?' Then I forget about it. If I got mad every time somebody wrote something negative about me, I'd be exploding all the time. I'd be burned out just from reading reviews."
"I always dreamt of being in 'Kerrang.' That was my ambition. I read that religiously when I was into heavy metal. Then the jazz magazines took over."
"The ways in which a book, once read, stays (and changes) in the reader's mind are unpredictable."
"When you read a great book, you don't escape from life, you plunge deeper into it."
"The first thing I do when I read a part is see if I can identify emotionally with a character. If I make that connection, everything else is just working on knowing their life circumstances and manifesting those through practice and research."
"At Somerset I played with Marcus Trescothick who has spoken very openly about his battle with depression and anxiety. I had a few conversations with him about his problems but I also read his book which provided me with a great insight into what he went though."
"I went with agnosticism for a long, long time because I just hated to say I was an atheist - being an atheist seemed so rigid. But the more I became comfortable with the word, and the more I read, it started to stick."
"One Christmas, I wrote a nativity play. But nobody turned up on the day of the performance apart from my brother and my cousins, so I just read the whole script onstage and made my brother pretend to be one of the animals at the inn."